Historians Under Fire
The Public and the
Memory of the Civil War
A
few years ago, I participated in a
symposium on "southern symbols" at a southern university.
After my presentation on the
Confederate battle flag,
...
Historians Under Fire
The Public and the
Memory of the Civil War
A
few years ago, I participated in a
symposium on "southern symbols" at a southern university.
After my presentation on the
Confederate battle flag, an undergraduate student beckoned me out of the room and
explained with startling candor his own feelings
about the flag. He explained he was from rural
Mississippi, ashamed of the virulent racism of his
father, and now recognized why the flag offended
African Americans. But, he insisted, he still did
not abide the growing tendency to vilify all
things Confederate and wanted to know why he
should be ashamed of his ancestors. We had a
long chat and returned to the room for the next
presentation — which was about the latent, even
subconscious, racism of some Civil War reenactors. The same student felt emboldened enough
to stand up during the question and answer
period and essentially repeat the story he had
told me. The reaction of the session moderator
was swift and unequivocal. She told him that he
was out of line and, in so many words, to sit
down and shut up. I'm ashamed to say that I did
not intervene and insist that he and his question
be treated with due respect.
There is an unfortunate dynamic that exists
between professional historians and the millions
of Americans who sympathize with the
Confederacy in the Civil War. These neoConfederates whom Tony Horwitz depicted —
accurately, I believe — in his book "Confederates
in the Attic"1
are proud of their Confederate
ancestors, conservative in their politics, and
increasingly sensitive to what they believe are
unfair attacks upon their ancestors and their values. Confederate sympathizers ascribe, consciously or unconsciously, to what many historians generally consider an erroneous and distorted
interpretation of the Civil War that dates back to
the Lost Cause era.2
There is a large and easilyidentified body of neo-Confederate literature
that competes with academic scholarship, but the
neo-Confederate viewpoint is more evident and
oft-expressed in the frequent public disputes over
Confederate flags, monuments, and other symbols and over the names of streets, bridges, or
public buildings.
I confess that my perspective may be
skewed. I have worked for nearly 14 years in an
institution — the Museum of the Confederacy -
that has had to find and maintain balance
between sensitivity to the views of a core proConfederate constituency and scrupulous attention to scholarship and inclusiveness. Also affecting my viewpoint is the recent collapse of that
balance. The museum is now explicitly courting
the financial support of those individuals and
groups who insist that it must be a museum for
(not of) the Confederacy, a result that would
threaten the institution's scholarly integrity and
credibility.
The museum's fate is caught up in a strong
backlash among white southerners and white
Americans in general against a perceived political
correctness running amok in America today. As
we know from many other celebrated incidents, a
large segment of the American population
believes that politically correct or "revisionist"
historians have hijacked history and have distorted truth with "context." The contested memory of the Civil War is just one example of the
ongoing "history wars."
Resentment over political correctness and
the ongoing campaign by the National
Association for the Advancement of Colored
People against the publicly-sponsored or
-endorsed display of Confederate symbols
explains much about the gulf between scholars
and the pro-Confederate public, but there are
other contributing factors. The most important
and consistent factor is ancestry. Perhaps more
than any other avocational historians, many proConfederate Civil War buffs perceive the subject
as synonymous with the honor and reputation of
their ancestors. Discussions of slavery as the
cause and issue of the war are considered an
implicit condemnation of their ancestors.
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