TEXTBOOK: WORKING THROUGH CONFLICT STRATEGIES FOR RELATIONSHIPS, GROUPS, AND
ORGANIZATIONS
8
TH EDITION
EXCERPT: CHAPTERS 4, 5, 6, 7, 8
Chapter 4
Conflict Styles and Strategic Conflict Interaction
What is the best
...
TEXTBOOK: WORKING THROUGH CONFLICT STRATEGIES FOR RELATIONSHIPS, GROUPS, AND
ORGANIZATIONS
8
TH EDITION
EXCERPT: CHAPTERS 4, 5, 6, 7, 8
Chapter 4
Conflict Styles and Strategic Conflict Interaction
What is the best way to handle ourselves in a conflict? Should we stick to one approach, or be flexible? Should we let
others have a say, or try to control the situation? Should we carefully plan how we will react, or improvise? How do we
avoid getting caught up in spiraling escalation or avoidance cycles?
A common recommendation is to plan your strategy. For example, many people rehearse what they are going to say
during a confrontation. At one time or another, you may have found yourself talking to an imagined adversary—maybe
your partner or boss—trying out different things and hoping to settle on a good approach. While useful, this advice
overemphasizes the degree to which we can plan interactions. The key to an effective strategy is the ability to control the
situation. However, as we’ve seen, conflicts are interactive, and often they move in unexpected directions. In the heat of
the moment, it is often hard to stick to plans, even if we can remember them.
Rather than overemphasizing planning, we believe it is more productive to work on mastering various styles of conflict
engagement so that you have some flexibility. The notion of style emphasizes a consistent orientation toward the conflict,
an orientation that unifies specific tactics into a coherent whole, yet does not stress planning and foresight too much.
Research indicates that most people have characteristic conflict-handling styles, which they tend to apply regardless of
situational differences. Despite the saying, however, old dogs can learn new tricks: People can learn new behaviors if they
are aware of alternatives. Moreover, there is evidence that people change styles as disputes develop. Therefore, it is best
to consider conflict styles as a repertoire of options that we can learn to apply.
There will always be an element of strategy in the selection of styles, but it is important to keep in mind the emergent
nature of conflict interaction and the surprises it brings. A conflict seems to be moving in a positive direction and then
someone says the wrong thing and everything falls apart. Or during a heated dispute, one of the parties offers a
compromise. In view of the unexpected twists and turns of interaction, about the best we can hope for is to be ready for
and responsive to changes. Of course, this still leaves all our questions open. How do we select an appropriate style?
When should we change styles? What are the long-term consequences of various styles? How do we select the proper
tactics to carry out styles?
4.1 Origins of Conflict Styles
Conflict styles were first articulated by scholars and consultants associated with the human relations and human
resources movements, which had their heyday from the 1940s through the 1980s. This perspective assumes that the
nature and quality of interpersonal relations in the workplace play a large role in determining employee motivation,
satisfaction derived from work, level of absenteeism and resignations, and ultimately, the productivity and success of the
organization (Schermerhorn, Hunt, & Osborn, 2005). With its emphasis on human relationships, it is no surprise that
conflict was a major concern of human relations scholars.
The concept of style originated with Blake and Mouton (1964) and Jay Hall (1969), who identified five distinct types of
conflict behavior. Their classification is based on two independent conflict behavior components (Ruble & Thomas, 1976):
(1) assertiveness, defined as behaviors intended to satisfy one’s own concerns; and (2) cooperation, defined as behaviors
intended to satisfy the other individual’s concerns. These components combine to specify the five styles, which can be
diagrammed as shown in Figure 4.1.
• A competing style is high in assertiveness and low in cooperation: The party places great emphasis on his or her own
concerns and ignores those of others. This orientation represents a desire to defeat the other and compel him or
her to do what the party wants. This style is sometimes also referred to as “forcing” or “dominating.”
Figure 4.1 Conflict Styles
[Show More]